Wednesday, May 23, 2012

The (de) Composition


Imagine Life.
Like stiff, crumbling toasted bread
With a tendency for softness at the center
And butter.
Butter yellow like sunshine on windy days.
Imagine Life.
And imagine what follows.
Not Death, but something more real.
Something more real.

Writing and Editing are entirely different talents
(I know because my Teachers told me so in classrooms with painted walls)
But Rewriting
(They ignored explaining because even Teachers get scared)
Is not for the faint of heart.
How can one try to alter what has been written
-Something Permanent-
And expect no trouble? No complications?
What happens as you cause the words to detach from their prison of paper
And float away into the narrow space between O and its tiny 2?
Where do they go? What happens to the sounds
You’ve displaced? And flopping around like dead fish,
The ideas uncompleted?
Rewriting is dangerous!
I’m not convinced it’s even possible.
Best to lay aside the whole thing and start anew.
Best to lay aside the pencil because it’s permanent.
Best to Write carefully.

Decomposing in the forest
Is my book of lyric prose
Page by page by page by page
Returning its borrowed words
To the poetry of rosy leaves and stark limbs
Like broken toothpicks and shoeless shoelaces and only one earring
Who cease to Be
But potential for something else
Something new
Something not made not broken not
Absent.
Something.

1 comment:

  1. I really like the poem!
    I would mildly suggest, however, that the poem ends better at "Absent." (In other words: I think ending on "something" is not as powerful as ending on "absent").
    FABULOUS DARLING FABULOUS!

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